##大足石刻：石窟版《清明上河图》，在《黑神话：悟空》中重现
**中新社重庆8月21日电** 世界文化遗产大足石刻，以其精美的雕刻和丰富的文化内涵，被誉为“石窟版《清明上河图》”。近期备受瞩目的国产游戏《黑神话：悟空》中，大足石刻的不少场景得以1:1呈现，令玩家们惊叹不已。
大足石刻位于重庆市大足区，始建于初唐，至两宋达到鼎盛，拥有5万余尊石窟造像，是公元9世纪至13世纪世界石窟艺术的巅峰之作。其独特的“三教合一”现象，以及精湛的雕刻技艺，使其成为中国石窟艺术的代表，并于1999年被联合国教科文组织列入《世界遗产名录》。
大足石刻研究院院长蒋思维表示，大足石刻的造像时期主要为唐末、五代和南宋，其中南宋造像最多，具有鲜明的民族化、世俗化、生活化等特色。与其他石窟艺术相比，大足石刻更注重对当时社会生活的刻画，展现了丰富多彩的民俗风情。
“大足石刻中不仅有佛菩萨等题材的石刻，还有很多描绘当时人们世俗生活和民俗风情的造像，”蒋思维说，“这些造像如同一部立体版的《清明上河图》，展现了古代社会各行各业的人物、场景和活动，为我们了解当时的社会生活提供了宝贵的资料。”
在《黑神话：悟空》中，大足石刻的宝顶山千手观音、西方净土变、地狱变相等石窟造像被1:1还原，让玩家在虚拟世界中体验到中国传统文化的魅力。游戏中的“地狱变相”场景，与大足石刻中上下两层地狱变相造像相呼应，上层为菩萨，下层为地狱，美与丑、善与恶的对比，恰到好处地反映了游戏主人公所处的情境。
“大足石刻的细腻雕刻和神秘氛围，为游戏提供了相应的视觉素材和灵感，”蒋思维说，“《黑神话：悟空》将大足石刻融入游戏场景，不仅展现了中国传统文化的魅力，也让更多人了解到中国石窟艺术的独特魅力。”
近年来，大足石刻在保护发展方面取得了显著成果，并积极探索文化遗产的活化利用，通过与游戏、影视等领域的合作，让更多人了解和喜爱中国传统文化。相信未来，大足石刻将继续以其独特的魅力，吸引更多人前来观赏，并为世界文化遗产的保护和传承做出更大的贡献。
英语如下：
##Black Myth: Wukong Features a “Stone Cave Version” of Alongthe River During the Qingming Festival
**Keywords:** Black Myth, Stone Cave, Along the River During the Qingming Festival
## Dazhu Rock Carvings: A “Stone Cave Version” of Along the River During the QingmingFestival, Recreated in Black Myth: Wukong
**Chongqing, August 21 (CNS)** The Dazhu Rock Carvings, aWorld Heritage Site, are renowned as the “Stone Cave Version of Along the River During the Qingming Festival” for their exquisite carvings and rich cultural connotations. Recently, the highly anticipated Chinese game “Black Myth: Wukong” has garneredwidespread attention for its 1:1 recreation of numerous scenes from the Dazhu Rock Carvings, leaving players in awe.
Located in Dazhu District, Chongqing, the Dazhu Rock Carvings were initially constructed during the early TangDynasty, reaching their peak during the Song Dynasty. They feature over 50,000 stone cave sculptures, representing the pinnacle of world stone cave art from the 9th to the 13th centuries. Their unique “integration of three religions” phenomenon and exquisite carving techniques have made them a symbol ofChinese stone cave art. In 1999, they were inscribed on the UNESCO World Heritage List.
Jiang Siwei, director of the Dazhu Rock Carvings Research Institute, stated that the carvings primarily date back to the late Tang Dynasty, the Five Dynasties, and the Southern Song Dynasty, with theSouthern Song Dynasty carvings being the most numerous and exhibiting distinct characteristics of nationalization, secularization, and daily life. Compared to other stone cave art, the Dazhu Rock Carvings place greater emphasis on depicting contemporary social life, showcasing a vibrant array of folk customs.
“The Dazhu Rock Carvings not only featuresculptures of Buddhist deities and Bodhisattvas but also numerous depictions of the secular lives and folk customs of people at the time,” said Jiang Siwei. “These sculptures are akin to a three-dimensional version of Along the River During the Qingming Festival, showcasing figures, scenes, and activities from various professions in ancientsociety, providing invaluable insights into daily life during that period.”
In Black Myth: Wukong, the Baoding Mountain Thousand-Armed Guanyin, the Western Pure Land Transformation, and the Hell Transformation scenes from the Dazhu Rock Carvings have been faithfully recreated in a 1:1 scale, allowing playersto experience the allure of Chinese traditional culture in a virtual world. The “Hell Transformation” scene in the game echoes the two-tiered Hell Transformation sculptures in the Dazhu Rock Carvings, with Bodhisattvas on the upper level and hell on the lower level. The contrast between beauty and ugliness, goodand evil, perfectly reflects the situation of the game’s protagonist.
“The intricate carvings and mysterious atmosphere of the Dazhu Rock Carvings have provided visual inspiration and material for the game,” said Jiang Siwei. “By incorporating the Dazhu Rock Carvings into the game’s scenery, Black Myth: Wukong not only showcases the charm of Chinese traditional culture but also introduces more people to the unique allure of Chinese stone cave art.”
In recent years, the Dazhu Rock Carvings have achieved significant progress in terms of protection and development, actively exploring the revitalization and utilization of cultural heritage. Through collaborations with the gamingand film industries, they are bringing Chinese traditional culture to a wider audience. It is believed that in the future, the Dazhu Rock Carvings will continue to captivate more visitors with their unique charm, contributing further to the protection and inheritance of world cultural heritage.
【来源】http://www.chinanews.com/gn/2024/08-21/10272604.shtml
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